Tuesday, March 30, 2010

Lecture 12: The Yellow Wallpaper

A reminder: we're in the same lab as last class (room 258).

Note: Comparative Essays due today!



"For many years I suffered from a severe and continuous nervous breakdown tending to melancholia-and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still good physique responded so promptly that he concluded that there was nothing much the matter with me, and sent me home with solemn advice to 'live as domestic a life as possible,' to 'have but two hours' intelligent life a day,' and 'never to touch pen, brush or pencil again as long as I lived.' This was in 1887…"
—Charlotte Perkins Gilman, "Why I Wrote the Yellow Wall-paper," 1913

"Every kind of creature is developed by the exercise of its functions. If denied the exercise of its functions, it can not develop in the fullest degree."
—Charlotte Perkins Stetson (Gilman),
from Hearing of the National American Woman Suffrage Association. Committee on the Judiciary, House of Representatives, Washington, D.C., January 28, 1896

Background to Social Setting of "The Yellow Wallpaper":

Group 1 (Amelia, Justin, Andrew, Gavin): Explore - "Gender and the Nineteenth Century Home" and "Masculine Superiority Fever": Making Sense of "Spheres"

Group 2 (Chris, Nick, Oleg): Explore - "Light of the Home" image and "Motherhood" essay

Group 3 (Oumnia, Courtney, Shelby, Chantelle): Explore - "Puss in the Corner" and Gilman's brief suffrage commentary in the Votes for Women Collection: (Search by keyword "Gilman"; text under "Charlotte Perkins Stetson, of California)

After exploring the websites in your groups, add a comment to this lecture post. Address these questions (you should have a paragraph as a response):

  • How do the primary documents on these websites portray the roles of middle-class men and women in the early- to mid-nineteenth century?
  • What do you think of these roles?
  • How are the roles similar or different from today's roles for women? 



Two online texts for "The Yellow Wallpaper" are available: the full text of "The Yellow Wall-paper" (1899 edition), available online at the University of Virginia Library's Electronic Text Center via EDSITEment reviewed Center for the Liberal Arts, or the original New England Magazine version, available online at the Library of Congress' Nineteenth Century in Print Collection (periodicals).



In groups, answer the questions contained in the following table and post your answers here as a group comment. Remember to include all group members' names in your comment.






With a partner, choose TWO of the following quotations from The Yellow Wallpaper and respond to the questions. Post your thoughts here as a blog comment.


  1. "It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity but that would be asking too much of fate!"
  • Questions:




    • How would you describe the story's setting?
    • How and why is the setting significant?


 2. "John is a physician, and—perhaps—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—perhaps that is one reason I do not get well faster."

  • Questions:




    • How would you describe the narrator's husband?
    • What is the narrator's style of writing? What is her tone?
 3.  "Personally, I believe that congenial work, with excitement and change, would do me good."

Questions:

    • What does the narrator believe would be the best cure for her?
    • How does this contrast with what her husband and brother say? Cite additional passages from the story.


4. "There comes John, and I must put this away-he hates to have me write a word."
  • Questions:




    • What is the narrative style of this story? What is the effect of this journal style narrative in developing the main character?
    • How does it influence how the reader understands the main character?


5.  "Nobody would believe what an effort it is to do what little I am able, -to dress and entertain, and order things. It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous.
 I suppose John never was nervous in his life. He laughs at me so about this wall-paper!At first he meant to repaper the room, but afterwards he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies.

  • He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on.

    "You know the place is doing you good," he said, "and really, dear, I don't care to renovate the house just for a three months' rental." "Then do let us go downstairs," I said, "there are such pretty rooms there."

    Then he took me in his arms and called me a blessed little goose, and said he would go down to the cellar, if I wished, and have it whitewashed into the bargain.

    But he is right enough about the beds and windows and things. It is an airy and comfortable room as any one need wish, and, of course, I would not be so silly as to make him uncomfortable just for a whim. I'm really getting quite fond of the big room, all but that horrid paper.

    Out of one window I can see the garden, those mysterious deepshaded arbors, the riotous old fashioned flowers, and bushes and gnarly trees. Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

    I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me. But I find I get pretty tired when I try."

    Questions:




    • How does the narration mimic the narrator's mental state?
    • Point out digressions and discuss why the narrator might digress during her account. Review the 1867 Godey's quote from the "Motherhood" essay in Lesson One ("About every true mother there is a sanctity of martyrdom- and when she is no more in the body, her children see her with the ring of light around her head."). Compare this description to the narrator's role of mother.

6. "And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head."
  • Question:




    • What does this passage suggest about the relationship between the narrator and her husband?
    • How would you characterize the narrator?
    • How would you characterize the husband?
    • Cite another passage from your reading/notes to support your claims. You  might compare the narrator's and John's relationship to the relationship in the "Puss in the Corner" poem.


 7.  Section 3, "And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder—I begin to think—I wish John would take me away from here!"
  • Questions:




    • What is the significance of the woman behind the yellow wall-paper?
    • To aid discussion for the above question, compare the narrator's feelings about the wall-paper to the tone and message of the 1890 cartoon, For the benefit of the girl about to graduate.



8. "What is the matter?" he cried. "For God's sake, what are you doing!"I kept on creeping just the same, but I looked at him over my shoulder. "I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!"

  • Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!"

    Questions:




    • What does the narrator mean by, "I got out at last?"
    • What does the ending of this story suggest about the woman behind the wall-paper?
    • How are this woman and the wall-paper itself symbolic?
    • Discuss the metaphor of the window in relationship to "getting out."






Homework:


We'll be in the same lab (room 258). We will read Inanimate Alice in class.

Sunday, March 21, 2010

Lecture 11: Grammar Test

Please include your answers to the following questions as a comment here (on this blog post).

Please label your first 12 answers are Part 1, and the final 25 answers are Part 2. Part 3 should be the names of trees and first names.








Sunday, March 14, 2010

Lecture 10: Compare and Contrast Essay Preparation

In today's class we shall complete:



Additionally Nancy Robertson will come and talk to us about proper MLA Citation Style (12:30 - 1:50)

Reading Review

In groups of 4:
Brainstorm 30 words that come to mind after reading the title
Choose TWO places in the essay to stop reading and discuss as a group – How many of your brainstormed words/ideas have appeared? Have some not appeared? What conclusions can you draw?
When finished reading, note:
The thesis
How the essay is arranged and is it effective?








Homework:
Review Grammar (Part 3, Section B of EW)
Grammar Test in class
Read Shields, “Hazel” (242 HA)


NOTE: We will meet in Lab 258 and class will finish at 1:00pm

Saturday, March 13, 2010

Parts of Speech Poems

ENGL 108 students produced lovely, colourful and grammatically correct parts of speech poems:



Tuesday, March 9, 2010

Lecture 9: Comparison and Contrast Essays

Outline:

Reading Review
Compare and Contrast
Practise
Homework


Reading Review
On your own, create a poem using parts of speech
Create a legend for readers to identify each of the parts of speech (underlined words are adjectives, highlighted pink are verbs etc...)

10-15 minutes

Reading Review

  • 3 adjectives
  • an abstract noun (things not knowable through the senses)
  • 1 participial phrase (verb form used as an adjective to modify nouns and pronouns)
  • 2 prepositional phrases (begin with a preposition and end with a noun,pronoun, gerund, or clause, the "object" of the preposition): In the weedy, overgrown garden OR Along the busy, six-lane highway
  • 2 participial phrases (verbals ending in -ing, and -ed  are combined with complements and modifiers): The stone steps, having been worn down by generations of students, needed to be replaced. [modifies "steps"]
  • the place name





Compare and Contrast:













When you compare items, you look for their similarities--the things that make them the same.

For example:

Apples and oranges are both fruit.

They're both foods.

Both are made into juice.

Both grow on trees.


When you contrast items, you look at their differences.

For example:

Apples are red. Oranges are orange.

The fruits have different textures.

Oranges need a warmer place to grow, like Florida. Apples can grow in cooler places, like Alberta.



There are three strategies to organise comparison and contrast papers:

1. Whole-to-Whole, or Block

2. Similarities-to-Differences

3. Point-by-Point



*****Homework*****

Read “Addition in Free Markets” (229 Essay Writing)
Read “Embraced by the Needle” (305 EW)

NOTE: Librarian Nancy Robertson will be coming next class for a tutorial in proper MLA referencing and citation (necessary for your comparative essay)


Note: Top image from Into the Book.



Wednesday, March 3, 2010

Final Exam

A reminder to all that our final exam is on Thursday the 15th of April from 9:00-12:00 in room 152.

Tuesday, March 2, 2010

Classroom Change: Computer Lab Sessions

On the 23rd and 30th of March and on the 6th of April we will meet in Lab 258.

NOTE: Our Blog Comment: Grammar Test will be done during our lab session on the 23rd of March and will be completed in class.

Monday, March 1, 2010

Comparative Research Essay Assignment

ENGL 108: Comparative Essay with Research


Assignment: Comparative Essay, Library Research

Topic: Any TWO essays from essay text OR any TWO stories from anthology

Overview: This assignment gives you the opportunity to compare any two essays or stories from your course text. You will need to find to essays that share similarities as a base for your comparison. You might find similar topics, writing styles or points of view. Additionally, remember to include some contrasting ideas. Comparative essays ask you to compare AND contrast.

For the research portion of the essay assignment, I would like you to find TWO sources that help support your essay. You might have sources that support a view point or a critique you might make.


Part 1: Choose 2 “academic” resources that are highly relevant to your topic. These sources can be online but they must be peer reviewed (not simply self-published or unvetted).  Give full MLA reference information for each source and thoroughly explain why each resource is appropriate and relevant to your topic.  Additionally, include how each resource was found (include keywords used in any Google searching).

Part 2: Once you have your two academic resources and you’ve written your annotations (see above), craft a 3 page essay.  In the essay you should make clear what your basis for comparison is.


Purpose: Learn basic methodologies of research, learn how to locate and evaluate information, learn how to find appropriate resources, evaluate and synthesise arguments, critique thinking, and employ critical reasoning and writing strategies. Additionally put into practise comparative arguments and refine academic writing.

Length: Each annotation should consist of at least one fully-formed paragraph with complete reference information in MLA style. The essay itself should consist of 3 pages. The total length should be 4 pages.


DUE: 30th March 2010

EXAMPLE ANNOTATION

Lamott, Anne. Bird by Bird: Some Instructions on Writing and Life. New York:
Anchor Books, 1995.

Lamott's book offers honest advice on the nature of a writing life, complete with its insecurities and failures. Taking a humorous approach to the realities of being a writer, the chapters in Lamott's book are wry and anecdotal and offer advice on everything from plot development to jealousy, from perfectionism to struggling with one's own internal critic. In the process, Lamott includes writing exercises designed to be both productive and fun.
Lamott offers sane advice for those struggling with the anxieties of writing, but her main project seems to be offering the reader a reality check regarding writing, publishing, and struggling with one's own imperfect humanity in the process. Rather than a practical handbook to producing and/or publishing, this text is indispensable because of its honest perspective, its down-to-earth humor, and its encouraging approach.
Chapters in this text could easily be included in the curriculum for a writing class. Several of the chapters in Part 1 address the writing process and would serve to generate discussion on students' own drafting and revising processes. Some of the writing exercises would also be appropriate for generating classroom writing exercises. Students should find Lamott's style both engaging and enjoyable.

Note the indentation of all the text except for the first line of the reference.



For more information and style guidelines, visit the Online Writing Centre: http://owl.english.purdue.edu/owl/resource/614/01/



Note: Top image from Into the Book.